Satyajit Ray would have been 100 years previous on May 2, 2021.
To mark the legendary film-maker’s start centenary, Rediff.com brings you a treasure trove of options from our archives.
Satyajit Ray’s hanging 1963 movie Mahanagar was digitally restored and re-released in British theatres some years in the past. While critics there wax enviably about The Big City, we needed to look again at Ray movies that might be finest fitted to a theatrical launch another time.
So this, then, just isn’t a Best-Of-Ray, however fairly a range that showcases his vary, a set of flicks that showcase his easy mastery of the craft but additionally motion pictures that merely and irresistibly enchantment to us all.
Raja Sen, the well-known film critic and author, lists Ray motion pictures that might work wonders for any technology fortunate sufficient to see them on the massive display screen.
Aranyer Din Ratri
Translated as Days And Nights In The Forest, this well-loved 1970 Ray movie focusses on a gaggle of mates escaping the bustle of the town by heading to a tribal outpost in Bihar.
They stumble throughout girls — of each conceivable sort, almost — and whereas issues begin off sunnily sufficient, it’s a movie with an inevitably darkish centre.
Hirak Rajar Deshe
A sequel to the fantastical Goopy Gyne Bagha Byne, Ray’s political allegory towards the Congress — on the time of the Emergency — stays scathing.
There is way drollery however this anti-censorship story rings extra related with every passing (election) 12 months.
Deciding to solid Bengal’s largest star, Uttam Kumar, in a movie about superstardom, Ray proceeded to blow the bloody doorways off conventionality.
A hauntingly surreal movie set throughout a practice journey, it chattily shoots the breeze earlier than plunging headlong into nightmares.
Shatranj Ke Khiladi
Ray’s solely Hindi function — not counting the made-for-television Sadgati — this immaculately crafted movie was based mostly on a Premchand story of the identical title.
Nuanced, superbly written and acted, it may possibly present a great gateway to the grasp’s work.
A family is disrupted when the patriarch goals that his daughter is a reincarnation of the goddess Kali.
Convinced that the dream is true, he begins believing in it — together with a number of individuals round him, together with her.
A magnificently acted movie, Devi boasts of a topic with common enchantment.
One of Ray’s hottest and liked movies, this masterful adaptation of a Tagore novella is wistful, poetic and virtually breathlessly romantic.
A beautiful movie with many a memorable — and certainly, quotable — second, this is without doubt one of the most irresistible Ray movies.
And one of many only a few he himself thought-about a triumph.
The first in Ray’s acclaimed City Trilogy, Pratidwandi — The Adversary is a extremely stylistic and edgy movie, filled with jump-cuts and visible innuendo not seen in the remainder of the director’s oeuvre.
A drama set towards the Naxalite rebellion in Bengal, this makes for very compelling viewing certainly.
At a time when Byomkesh Bakshis are working amok, it will be enjoyable to revisit Ray’s personal detective Feluda at his brightest hour.
The Golden Fortress is a gloriously entertaining journey, and whereas Ray’s Byomkesh try, Chiriyakhana, did not work too effectively, his tackle his personal character is expectedly smashing.
Ray took three very totally different Tagore tales and made three brief movies, clubbing them collectively on this assortment known as Three Daughters — however usually launched as Two Daughters as a result of one story hasn’t been digitally restored.
The movies are dramatic, humorous and even eerie, and it is wonderful to see how Ray hits all of the beats proper.
My absolute favorite Ray movie, this drama about an growing old zamindar clinging on to the final vestiges of his glory — or his inflated sense of glory — is a drama so good it may possibly work as a horror movie to the extra narcissistic amongst us.
The Criterion Collection restoration of the movie is marvelous, and the movie packs essentially the most potent of cinematic wallops.