Get able to rev your engines, as a result of Haim has teamed with Taylor Swift for a brand new tackle the group’s ‘Gasoline.’
Not since James Hetfield shouted the phrases “Gimme fuel / Gimme fire / Gimme that which I desire” has the music world been so excited for a high-octane because the one arriving as we speak (Feb. 19.) Haim, the trio of sisters (Este Haim, Danielle Haim, and Alana Haim), recruited their friend and collaborator Taylor Swift so as to add a brand new spark to the observe from the group’s 2020 album, the critically-acclaimed Women in Music Pt. III. In “Gasoline (Remix)”.
Haim and Taylor Swift beforehand labored collectively on “No Body, No Crime,” from Swift’s evermore album. The band first teased that one thing was up once they shared a seemingly Tura Satana/Faster, Pussycat! Kill! Kill!-inspired black and white picture. Fans seen that their automotive was parked subsequent to gasoline pump #13 – Taylor’s favourite quantity – and shortly afterward, intelligent followers uncovered an ASCAP registration for a remix of “Gasoline.” Haim confirmed the hypothesis by posting a TikTok of them moving into the automotive and turning up the radio, which blasted a Taylor-fied model of the music.
“Gasoline, pretty please / I want to get off / But you’re such a tease / Throw the keys back to me / Go on and kick off your boots / In the passenger seat,” HAIM sings on the refrain of the observe, one seemingly drenched within the sun-bleached Laurel Canyon sound. “The song was a lot slower originally, and then we put that breakbeat-y drumbeat on it and all of a sudden it turned into a funky sort of thing, and it really brought the song to life,” Danielle informed Apple Music.
one gasoline pump pic.twitter.com/LBZZIQy2GB
— HAIM (@HAIMtheband) February 15, 2021
“I love the way that the drums sound. I feel like we really got that right,” she provides. “I used to be like actually in a cave of blankets, a fort we created with a very previous Camco drum set from the ’70s, to verify we bought that dry, tight drum sound. That slowed-down ending is because of Ariel. He had this loopy EDM filter he caught on the guitar, and I used to be like, ‘Yes, that’s f-cking excellent.’ “
Such sentiment – “f-cking perfect” – was that of rock critics. Women In Music Pt. III was one of many best-reviewed albums of 2020, with The Guardian giving it an ideal 5/5 rating. “They subvert pastiche with explosive yet contained production – agitated rhythms, corroded riffs, unexpected celluloid-melt transitions – that suggests Danielle bristling against her own limitations, yet never inhibits a massive chorus. … The album is also their first real foray into detailed emotional songwriting, Danielle outlining a visceral sense of disconnect from signs in dreams that nobody can read, strangers’ beds and estranged lovers’ clothes. By leaning into the lows, Haim opens up bold frontiers.”